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In this installment, he takes a look at Dario Argento's classic trilogy of full tilt gialli. As I suggested at the start, this is a trilogy of films that is linked through visual and thematic motifs. From the late 1920s forward in Italy, a series of cheap paperback editions of murder mysteries featuring eye-catching artwork was issued by the publishing group Arnoldo Mondadori Editore. His real breakthrough was his incredible thriller, Deep Red (1975), which is one of my favorite Giallo films ever. One explanation of the title is that it refers to the number of suspects that Franciscus investigates, while I prefer the idea that it suggests the multiple chromosomal combinations that get discussed in a scene about the genetic psychopathy of the killer. But Argento assembles these key tropes into something wholly new and original. This striking and memorable set-piece isn’t really followed up in the plot – the musician isn’t blackmailed to any notable degree for a start – but is echoed in scenes that are artistic and thematic reflections of the opening, showing how unconcerned the film is with telling a traditional narrative. This final film in Dario Argento’s often designated Animal Trilogy, preceded by The Bird with the Crystal Plumage and The Cat o' Nine Tails, incorporates some playful distinctions from his previous two Giallo movies. The brutal violence. These three films are often referred to as The Animal Trilogy. With Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi. It's stylishly directed by Dario Argento, it was his second film after The Bird with the Crystal Plumage. As a result, over time all murder mysteries in Italy would come to be called “yellow.” Or, in Italian, set in stone the tropes and archetypes of the cinematic, All of the elements are in play here. Visually, Argento uses art in general, and painting in particular, as a recurring thematic element. He followed this with two more thrilling films, The Cat o’ Nine Tails and Four Flies on Gray Velvet, completing an “Animal” trilogy. 98 mins. Deep focus, graceful camera movements, exquisitely detailed set design and carefully crafted compositions were the hallmarks of his aesthetic. Original title: Il gatto a nove code Visually, Argento uses art in general, and painting in particular, as a recurring thematic element. His directorial debut in 1970 was the Giallo film, The Bird With The Crystal Plumage, soon followed by The Cat o’ Nine Tales (1971), and Four Files On Grey Velvet (1972). Dario Argento's first three directed motion pictures form what is known as his "Animal Trilogy". He also made a film called Four Flies on Grey Velvet quickly after Cat o' Nine Tails, the three films make up Argento's Animal trilogy. The Cat O’Nine Tails starts with a similar premise: a vulnerable man – this time blind, rather than trapped behind glass – is the only witness to a murder when a laboratory break-in leads to the death of a security guard. Electric Sheep is a registered trademark. The black-gloved killer. Italy 1971 Author J. Blake Fichera (co-host of Saturday Night Movie Sleepovers) returns to discuss the work of one of his favorite filmmakers, Dario Argento. It’s nearly flawless. The success of these editions led to other publshers to also release mysteries under their own banners while imitating Mondadori’s cover designs. Writers: Dario Argento, Luigi Collo, Dardano Sacchetti, Bryan Edgar Wallace (uncredited) However, returning to The Bird with the Crystal Plumage after a gap of several years has revealed a film that is still fresh, innovative and deserving of its status as a seminal giallo. Dario Argento's final film in his "Animals" trilogy is easily the most experimental of the trio, and sees the director playing with numerous ideas that would crop up again in his later work. An American expatriate in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city, and conducts his own investigation despite … This film is looped in with The Cat O' Nine Tails and Four Flies On Grey Velvet as part of Argento's Animal Trilogy – which all focus around voyeuristic, makeshift detectives solving crimes. The trilogy also includes The Cat O' Nine Tails (1971), and Four Flies on Grey Velvet (1971). Accompanied by reporter Gianna Brezzi (Daria Nicolodi), he tries to tie together the loose clues he has assembled and the one detail he cannot quite remember, while other women across the city are being murdered and he himself is targeted. Cast: Michael Brandon, Mimsy Farmer, Tom Felleghy, Jean-Pierre Marielle, Fulvio Mingozzi Dario Argento (born September 7, 1940) is an Italian film director, producer and screenwriter best known for horror films. Deep focus, graceful camera movements, exquisitely detailed set design and carefully crafted compositions were the hallmarks of his aesthetic. Each film is concerned with the act of looking and being seen; for example, in Cat, the killer cuts a hole through a door to look through it, and the hero’s girlfriend tries to stab his eye. His work on the giallo genre made him world famous and would inspire other horror directors greatly. But Argento assembles these key tropes into something wholly new and original. Dario Argento’s directorial debut The Bird with the Crystal Plumage (L’uccello dalle piume di cristallo) was released in Italy on 19 February 1970, followed in quick succession by Cat o’Nine Tails (Il gatto a nove code, 11 February 1971) and Four Flies on Grey Velvet (4 Mosche di velluto grigio, 17 December 1971). While the director doesn’t seem to know how to end his first film, in the third film of this unofficial animal trilogy, Four Flies on Grey Velvet, it seems like he doesn’t know how to continue beyond a fascinating beginning, as will be seen below. There are numerous memorable scenes in the film: the powerless spectator trapped behind glass as he witnesses a murder, the police pathologist who wears dark glasses while a bank of open reel computers process the evidence behind him, a couple having sex while a metronome ticks, the protagonist throwing a cigarette packet to a suspect to see which hand he catches it with, and bizarre lines of dialogue such as ‘How many times have I had to tell you that Ursula Andress belongs with the transvestites not the perverts’! Title: The Cat O’Nine Tails Format: DVD/Blu-ray Play. Directed by Dario Argento, the film was inspired by an incident in his past: after the success of his "Animal Trilogy", Argento was approached by one of Italy's top opera production company with an offer to direct an upcoming production of theirs. His directorial debut in 1970 was the Giallo film, The Bird With The Crystal Plumage, soon followed by The Cat o’ Nine Tales (1971), and Four Files On Grey Velvet (1972). To miss this in its rare Italian original cut (22 minutes longer than the US version), would be to offend the very gods of cinema, so it would be best to play it safe and plan to attend. Category: Retro Review | Tags: Aleck Bennett, animal trilogy, Antonio Margheriti, ATLRetro, blood and black lace, Buried Alive Film Festival, cat o' nine tails, claudio simonetti, daria nicolodi, Dario Argento, David Hemmings, Deep Red, Doctor Sardonicus, dracula 3d, edward hopper, Ennio Morricone, four flies on grey velvet, giallo, giorgio gaslini, Goblin, Mario Bava, nighthawks, opera, profondo rosso, retro review, riccardo freda, Splatter Cinema, Synchronicty Theatre, tenebre, the bird with the crystal plumage, the girl who knew too much, Umberto Lenzi, © 2021 ATLRetro. The giallo trilogy has had an influence on horror films and murder mysteries made … Animal Trilogy, dir Dario Argento. The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo) is a 1970 giallo film directed by Dario Argento, in his directorial debut. JTB Dario Argento - Animal Trilogy (Giallo/Mystery/Horror/Thriller) Every Dario Argento Movie Ranked, Worst To Best | Screen Rant Bird, Cat and Flies‘ lead protagonists were American TV actors Tony Musante, James Fransiscus and Michael Brandon respectively, Bird‘s lead actress (and former ‘Bond girl’) Suzy Kendall is British, while Cat‘s witness (who ends up as Fransiscus’s sidekick when he starts investigating the crimes) is Czech-American film star Karl Malden, whose post-Argento career would mainly be on television. The common design element? The film is the third in director Argento's "Animal Trilogy", having been preceded by The Bird with the Crystal Plumage (1970) and The Cat o' Nine Tails (1971). Their music ended up being the perfect complement to Argento’s visuals, managing to capture the essence of one medium in another. Argento even gives us a life-size, live-action depiction of Edward Hopper’s Nighthawks early on to establish the importance of the visual arts and their accompanying artifice in the film’s world. Argento also wrote most of his films. Beginning with his “Animal Trilogy” (THE BIRD WITH THE CRYSTAL PLUMAGE, CAT O’ NINE TAILS and FOUR FLIES ON GREY VELVET), Argento took Bava’s sense of visual style to a whole other level. . Then in 1972 Dario Argento seemed to take some time off as the only motion picture he was associated with was a Western comedy called "Cosi sia (So Be It)" aka: "A Man Called Amen" that he wrote the screenplay for. Suspiria, Inferno, and The Mother Of Tears span three decades and are beautiful, blood-soaked gems of what is called Giallo , Italian exploitation films, heavy on flesh, gore, and funky soundtracks. I'll be honest, while this was one of the first Argento flicks I fell in love with back in the day, over the years I found revisits yielded underwhelming results. Argento oscillated between crafting giallos, like his Animal trilogy, and straight-up horror films, like Suspiria (1977), Inferno (1980), and Phenomena (1985). Directed by Dario Argento. This homicidal frenzy completed Argento’s revered ‘Animal’ trilogy (alongside The Bird with the Crystal Plumage and Cat o’ Nine Tails) that dubbed him ‘The Italian Hitchcock’. So instead of the third film recapitulating, or elaborating on, the first two, it feels like The Bird with the Crystal Plumage was separated into its constituent parts in the next two films. The wild success of these films—and their blending of brutal violence with stylish camerawork and set design, all set to equally stylish musical scores—led to a whole host of other filmmakers jumping on the giallo bandwagon and establishing themselves as forces to be reckoned with in the Italian film industry. The Bird with the Crystal Plumage (1970), The Cat o’ Nine Tails (1971) and Four Flies on Grey Velvet (1971) were a trilogy of thrillers in the giallo style which were all huge hits in his native Italy. The “Animal Trilogy” (1970–1971) ... Argento’s camera had never been so freely mobile, slithering up stairways and careening off of walls during the frenzied arias of murder. Dario Argento's 1971 giallo "Four Flies on Grey Velvet" closes out what is often dubbed as his "animal" trilogy which was preceded by his 1969 directorial debut "The Bird with the Crystal Plumage" and 1971's "The Cat O' Nine Tails". Argento managed to flow between several genres. Argento would return to the giallo again several times over the course of his career, most notably in films like TENEBRE and OPERA, but none of his work within the genre comes close to this masterpiece. Instead, he decided to go in a progressive rock direction and eventually found kindred spirits in local band Goblin. Watching a director’s films in chronological order, you expect trends to dovetail, and in this sense Argento’s first three films almost feel like they were made in the wrong order. To see it in its original Italian cut on the big screen is a thing that should not be missed by anyone interested in seeing a director firing on all cylinders, at the top of his game, regardless of genre. The outsider protagonist dismissed by the police as a troublemaker. Download • Apple Podcasts • Spotify. 104 mins. This is certainly Argento's oddest film, and also by … However, the very end of the movie is somewhat disappointing. The opening features a rock/jazz band at practice being observed by a mysterious man in sunglasses who leaves a trail of burning cigarette butts on the floor. "Four Flies on Grey Velvet" is the last film in Dario Argento's animal trilogy, which also includes the brilliant "Bird With The Crystal Plumage" (1970) and the very stylish "Cat o' Nine Tails" (1971). These three films are often referred to as The Animal Trilogy. This blog is powered by Wordpress. Having not read the uncredited novel by Fredric Brown, I don’t know whether any of the striking set-pieces, costumes and characters can be attributed to Brown, but the plot is significantly different from the novel’s (filmed previously in 1958 by Gerd Oswald), so it’s possible that Argento only kept the book’s basic premise of an artist obsessed by a traumatised woman who is being stalked by a serial killer. The first three films in the Argento oeuvre are known as the ‘animal trilogy’. Like the other films in Argento’s so-called “animal trilogy,” his second feature is fairly light on the bloody violence. It was rushed out into production after The Bird with the Crystal Plumage was a big hit. Like the other films in Argento’s so-called “animal trilogy,” his second feature is fairly light on the bloody violence. Director: Dario Argento 2 Suspiria (1977) - 7.4 Argento may have also looked to the work of Michelangelo Antonioni – another Italian director working with English-speaking actors at the time – as many of Cat‘s twists and turns recall the obsessive nature of the photographer investigating a crime in that director’s Blow-Up, made five years earlier. Title: The Bird with the Crystal Plumage Format: DVD (Region 1) It would become known as Argento's "animal trilogy". The half-remembered detail. The Cat o' Nine Tails (Il gatto a nove code) is a 1971 giallo film written and directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. Popout. The final film in Argento’s ‘Animal Trilogy’ – preceded by The Bird with the Crystal Plumage and The Cat o’Nine Tails – Four Flies on Grey Velvet (Quattro Mosche di Velluto Grigio) received mixed reviews from critics when it was released in 1971. Argento has commented several times that he believes this film to be the worst of the trilogy, something I think I would agree with. Dario Argento's first post-Animal Trilogy foray into horror is a sophisticated and sensual Giallo that has stood the test of time and rightly so. The Animal Trilogy consists of three consecutively released Italian giallo films by Dario Argento: The Bird with the Crystal Plumage (1969), The Cat o' Nine Tails (1971) and Four Flies on Grey Velvet (1972). Based on the novel The Screaming Mimi by: Fredric Brown (uncredited) Buried Alive Film Festival and Splatter Cinema Presents the rare Italian original cut of DEEP RED (1975); Dir. Design by, Colonial Report from the Dominion of Canada. Along with The Bird with the Crystal Plumage, these three films are frequently referred to as … Stop. As part of the Buried Alive Film Festival, Splatter Cinema will be hosting a 40th anniversary screening at Synchronicity Theater of what is, quite simply, one of the greatest thrillers ever made: Dario Argento’s groundbreaking giallo DEEP RED. If his early Animal Trilogy worked in bridging the gap between Giallo and horror, the following Three Mothers trilogy and, mostly, Phenomena (1985), showed Argento fusing horror and the paranormal, drawing inspiration from literature (Stephen King, for instance) and … The Bird with the Crystal Plumage is an astonishing debut film. The trilogy also includes The Cat O' Nine Tails (1971), and Four Flies on Grey Velvet (1971). As with all Argento films, The movie starts to build more pace towards the end, and builds into a clever and satisfying solution as to who the murderer is and the means of finding out who it is, which is linked with an animal like in the other two films of the 'Animals Trilogy'. Their remarkable score winds up being incredibly catchy, complex, sinister, subtle and bombastic—somehow all at the same time. The film is an Italian giallo and part of what is known as the Argento animal trilogy. He initially turned to jazz musician Giorgio Gaslini for the film’s music, but was unhappy with the results. He has written and directed war dramas and spaghetti westerns, giallos, even a little horror. It’s certainly … The Cat o’ Nine Tails is the second in Argento’s Animal Trilogy. The opening credits of Four Flies on Grey Velvet would make this explicit – a beating heart against a black background – and here we have grave-robbing, someone trapped in a locked tomb, and rats menacing a bound child. He is known for his contributions to the Giallo subgenre and his influence Dario Argento was born in Rome, Italy, in 1940. The reception to their breakthrough work was so intense, and the pairing of group and filmmaker so perfect, that Goblin (or the band’s leader, Claudio Simonetti) would continue to work on-and-off with Argento through the decades up to his latest film, DRACULA 3D. The fact that all three of Argento’s films made in 1970-71 contain an animal in their title suggests that at some point during production of his second film, he or the producers decided to brand them as a trilogy. “The Bird with the Crystal Plumage” was released in 1970 and was directed by Dario Argento. Deep Red is often cited as the best giallo ever made. But although the titles of Bird and Flies refer to clues that lead to the discovery of the killer, The Cat o’Nine Tails doesn’t feature a cat anywhere on screen or in the foley recording, nor does it feature the 17th-century torture device. Release date: 24 January 2011 As Arrow Video are releasing lavish new DVD / Blu-Ray editions of Bird and Cat, one can only hope they obtain the rights to Flies as well, to allow British audiences to see one of Argento’s rarest films and complete the set of three. The first three films in the Argento oeuvre are known as the ‘animal trilogy’. Cast: Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho Download • Apple Podcasts • Spotify. Dario Argento’s directorial debut The Bird with the Crystal Plumage (L’uccello dalle piume di cristallo) was released in Italy on 19 February 1970, followed in quick succession by Cat o’Nine Tails (Il gatto a nove code, 11 February 1971) and Four Flies on Grey Velvet (4 Mosche di velluto grigio, 17 December 1971). Below, I’ve laid out a primer that recognizes Argento’s “must-watch” films and the best entry points for those looking to dig into his filmography. Directed by Dario Argento, the film was inspired by an incident in his past: after the success of his "Animal Trilogy", Argento was approached by one of Italy's top opera production company with an offer to direct an upcoming production of theirs. Writers: Dario Argento, Luigi Cozzi, Mario Foglietti From the late 1920s forward in Italy, a series of cheap paperback editions of murder mysteries featuring eye-catching artwork was issued by the publishing group Arnoldo Mondadori Editore. The outsider protagonist dismissed by the police as a troublemaker. Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Argento’s directorial debut is the first of his Animal trilogy; The Cat o’ Nine Tails and Four Flies on Grey Velvet followed. The Cat O’ Nine Tails is the middle entry in the “Animal Trilogy” from Dario Argento. The casting of Americans as the leads shows the director’s international aspirations – understandably, following the popularity of Leone’s Westerns with American leads, who would be dubbed into Italian for the local releases. The plot focuses on a drummer who finds himself the victim of blackmail after he accidently kills a … Below, I’ve laid out a primer that recognizes Argento’s “must-watch” films and the best entry points for those looking to dig into his filmography. It consists of Suspiria, Inferno and Mother of Tears. Each film deals with one of the titular "Mothers", a triumvirate of ancient witches whose powerful magic allows them to manipulate world events on a global scale. The Cat o' Nine Tails (Il gatto a nove code) is a 1971 giallo film written and directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. Italy 1970 It's stylishly directed by Dario Argento, it was his second film after The Bird with the Crystal Plumage. When one of the musicians leaves and eventually realises he’s being stalked, he follows the mysterious figure into a theatre; there, he gets maneuvered into inadvertently murdering the stalker while being photographed by a character in the shadows, who’s wearing a pig mask and talking in whispers. For the occasion, we have decided to investigate three of the most infamous Witch flicks out there: Dario Argento’s ‘The Three Mothers’ trilogy. Beginning his career as columnist for Paese Sera in Rome, Dario Argento transitioned into the film industry as screenwriter on a number of Westerns, including Sergio Leone’s “Once Upon a Time in the West,” which he co-wrote with Bernardo Bertolucci. As a reviewer who has seen all but one of the director’s movies (1973’s comedy drama Le cinque giornate [The Five Days], which remains unreleased in America and the UK) and both of his episodes of the TV series Masters of Horror, I have to admit that I was beginning to doubt the director’s talent in recent years: my memories of his excellent early films began to fade and were replaced by his recent output, which has gone from the below average Do You Like Hitchcock?, The Card Player and Non ho sonno in the first half of the last decade to the actually unwatchable – Giallo and Mother of Tears: The Third Mother – in the last three years. Although not a trilogy in terms of reoccurring characters, there are enough links between the three films that make them worth considering as a sequence that is linked thematically and stylistically, even if the middle film is only an ‘animal’ film in name alone. Release date: 31 January 2011 Beyond a painting holding a key detail that is needed to solve the mystery, key plot points are revealed via artwork. Without a complete score to fill the running time of the film, Argento uses the absence of music experimentally in one scene where we hear the sounds of driving juxtaposed with the lead character’s thoughts of travel. As a result, over time all murder mysteries in Italy would come to be called “yellow.” Or, in Italian, giallo. Play. The Bird with the Crystal Plumage (L'uccello dalle piume di cristallo) is a 1970 giallo film directed by Dario Argento, in his directorial debut. Format: DVD/Blu-ray ANIMAL TRILOGY April 11th, 13th, and 14th, 2012 . If his early Animal Trilogy worked in bridging the gap between Giallo and horror, the following Three Mothers trilogy and, mostly, Phenomena (1985), showed Argento fusing horror and the paranormal, drawing inspiration from literature (Stephen King, for instance) and … This is a film that provides a segue from the noir genre that inspired it – the femme fatale and the amateur detective following her – to a new form of filmmaking and storytelling that seems equally inspired by Ennio Morricone’s jazz score (Argento often cut his films to his musical scores) and Freudian dream logic. Celebrated Italian film producer and executive Salvatore Argento, and the Brazilian-born Elda..., Colonial Report from the greater Atlanta area his visual style is audacious direction and eventually found kindred spirits local. Trilogy '' Salerno, Eva Renzi the Crystal Plumage is an Italian giallo part. Argento 's first three directed motion pictures form what is 'The Bird with the Crystal.. 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