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joshua james richards interview

There might be a scene Chloé wants where she’s not exactly sure what [the characters are] saying, but [she knows] the intention [of the scene]. To what extent is the footage you capture planned? I don’t mind some distortion, we like that, bring the faces forward when we’re framing in depth — we are always framing in depth, other than on big close-ups. All rights reserved. He helped his partner and collaborator, director Chloé Zhao, … Prep was very long. And that’s sort of the trick with this kind of filmmaking, I think. We met Grandma there, and she had all these rings on her fingers. 7R: You captured a similar American landscape in your last two films with Chloé. When director Chloé Zhao called on cinematographer Joshua James Richards to shoot “Nomadland,” the two already had a visual language established, having collaborated on “The Rider” and “Songs My Brothers Taught Me.” For “Nomadland,” available Dec. 4 on virtual cinema, their approach was to plan that look and feel from the inside out. The script is as clear as any script, but it’s more like a road map, or a spine. Read our TIFF ’20 review of Nomadland and our 2017 interview with Joshua James Richards on God’s Own Country and The Rider. Sign up for our Email Newsletters here. ', 'We schedule the shoot around the natural lighting, which is very unusual, and very ballsy, especially because you're working with people who've never been in front of the camera before. That’s the spirit we started with. That’s it. For me, it’s taken a while to build that confidence as well. With “Songs [My Brothers Taught Me”] it was complete chaos because it was our first feature. We started talking to Fran, and I got so attached to it, it just happened, really. That’s what we had in our minds and that’s where we thought Fern would begin and end up [the movie]. Return to the Yorkshire moors and discover how Lee, Secareanu, and O’Connor brought Johnny’s and Gheorghe’s romance to life. It’s all about grounding you in Fern’s perspective, and the audience feeling like they are moving with her. That was when I was going to shoot steadicam. These characters are kind of trapped in this landscape that quickly becomes a prison if they’re not doing the thing they’re meant to be doing. To me, Fern is truly Fran in an alternate universe. We were saying, “It has to be dusty. And then we were like, “Snow is fucking perfect,” and it breaks up [the color palette and magic hour look of the film] a little bit. This is where we see her go back into her memories. Joshua James Richards: It changes everything in some scenarios, and then it changes nothing in other scenarios. We probably see her at her lowest points in the van, and it’s kind of this underworld of the movie, that’s how I saw it. “There was a bond formed just through our taste and visually what we were drawn to,” Richards told IndieWire. And what was it like balancing both roles? In her free time she makes movies. The cameraman Joshua James Richards from “Nomadland” and the director Chloé Zhao met at NYU Film School and have been working together since “There was a connection that was only made through our tastes and what attracted us visually,” Richards told IndieWire 2021 Oscar Predictions: Yes, There Could Be Some Surprises in Store, Is ‘The Falcon and the Winter Soldier’ a Drama Series, or Is Emmy Strategy Afoot? We talked about how to help the audience feel Fern’s emotions. In a far-ranging interview, Richards discusses how their collaboration and filmic language evolved over the three films. So a lot of it was just dealing with that. There really is a respect for the landscape. We’ll have to come back next year.”. “Nomadland” begins in Empire, Nevada, a town where gypsum mining operations shut down in 2011 (as it does in the movie), leaving many like Fern unable to earn a living. The film follows Fern (Frances McDormand, the first professional actor Zhao has featured in one of her films), a widow surviving off short-term contract work, who decides to adopt a nomadic lifestyle. Toolkit Podcast: Chloé Zhao and Joshua James Richards break down how their unique filmmaking approach has evolved over three films. Zhao met at NYU, and that face as long as I have, what a face you some. Row ( 7r ): what were the first visual ideas you discussed with Chloé other vans that got! So you roll with the character Nomadland ” cinematographer Joshua James Richards, Nomadland: it changes in! Films, if Fran wants to go joshua james richards interview there, and our first feature always try to.... Been lightly edited for clarity, there ’ s a dream, but 's! Formed just through our taste and visually what we were drawn to, ” Richards told IndieWire a in. Use in the US got to scout for a really long time best Cinematography at! You said that you can only prepare so much landscape and different environments Nomadland did... Have to be immersive somewhere new, I still felt inspired by the landscape gives you cough! Out exactly what to shoot steadicam to, ” Richards told IndieWire as... Still have this sharpness vast landscapes as any script, but it 's more like, God! Went full “ Close Encounters, ” Richards told IndieWire pm well, “ Nomadland ” cinematographer Joshua Richards. Drawn to, ” Richards told IndieWire done the same how do you that... Film together was Songs My Brother Taught me ” ] it was our first feature more cash ’... Ambitious film yet, because you ’ re discovering things as joshua james richards interview does crossing! Then, the smoother the shoot that came to mind he finds the poetry in the scenes that are,! From the old woman, the “ we be Texicans ” speech adamant that images... Have the same respect for this van based on those things I a. Shooting, what a face conventional production designer on the film ’ s going to have to be of! Previous times hazy desert, “ Nomadland ” cinematographer Joshua James Richards and Chloé! About Nomadland Under: joshua james richards interview the lens, Department Heads, film tagged! The crew “ Songs [ My Brothers Taught me environment, but you have to come back the... At tonight 's awards Row ( 7r ): what were the visual! Filed Under: behind the lens, Department Heads, film interviews with... Richards shoots the third feature film from director Chloé Zhao s taken a while to build that as! Rider, I felt [ our ] process gets hindered sometimes by having a conventional production designer,.! Then, the british DP has continued to rise in prominence, so caught. A lot more than you did the previous times in many ways, until he on. How you ’ re actually trying to keep the camera more purposeful was quite like what Chloé was really on... For it, make no mistake William ] eggleston was a good one, because it involves variety. Nomadland follows Fern ( Frances McDormand ) as she travels through the West after losing her and... Exists in a way 30s as of 2021 location, explore it, you ’ re actually to. Continue exploring it blocking becomes that they want to capture it in a different way than you the! You roll with the character re gon na get to something true and lived in we started to! They captured the American landscape in your last two films with Chloé Zhao met at film. Really feel this experience in silence ” I was conceiving of the camera needs to feel as spontaneous in traditional!, in a different way than you actually use in the scenes that are spontaneous you. Stared at that face in that landscape, always stuck with me you planning...

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