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[1] In 1962 the Gibson Guitar Corporation, with Farlow's participation, produced the "Tal Farlow" model in their prestigious Artist Model line. Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. Your purchases help youth music programs get the gear they need to make music.
The video Great Guitars of Jazz, with Farlow, Charlie Byrd and Herb Ellis, was recorded at the Manchester Craftsmen Guild in 1997. In the mid ‘70s Farlow signed with Concord Records and between 1976 and 1984 recorded a series of albums: On Stage, A Sign of the Times, Tal Farlow ‘78, Chromatic Palette, Cooking on All Burners and The Legendary Tal Farlow. Oops, looks like you forgot something. On the other hand, maybe he just wanted to paint signs…. His patient struggle to find a balance between artistic excellence and peace of mind is the real story behind Talmage Farlow.

Handel's Water Music Suite for Baroque Trumpet - www.natemayfield.com, Preservation Hall Jazz Band - Hindustan (LIVE), Charlie Parker - Summertime (Jazz Instrumental), Charlie Parker & Dizzy Gillespie - Hot House (1952), Tal Farlow Plays the Music of Harold Arlen, "Dr. Phillip Petillo Included in Distinguished Cambridge Who's Who Registry", http://www.24-7pressrelease.com/press-release/dr-phillip-petillo-included-in-distinguished-cambridge-whos-who-registry-212528.php, "Tal Farlow, 77, Jazz Guitarist Rooted in Bop", http://www.nytimes.com/1998/07/28/arts/tal-farlow-77-jazz-guitarist-rooted-in-bop.html, "Talmage Farlow Documentary Film Collection, 1979-2011", http://library.duke.edu/rubenstein/findingaids/farlowtalmage/, https://jaz.fandom.com/wiki/Tal_Farlow?oldid=27567. He was profiled in the documentary film, Talmage Farlow, made in 1980/81. I always get a kick out of Charlie Byrd’s introduction to Farlow’s solo piece from this concert: Jazz great Barney Kessel showed generations of guitarists a way to break free from comping chords in the rhythm section and over his 50-year career, established himself as a band leader and go-to session player. He had gained enough acclaim that in 1960 he was approached by Gibson to be one of the three important jazz performers for whom signature artist models would be designed.

But “The Octopus” didn’t pick up the guitar until he was 21. After a time with … On the title cut, “I Can’t Get Started...,” Farlow plays single-note phrases in unison with vibraphonist Joe Roland under Shaw’s melody. His huge hands and ability to play rapid yet light lines, which earned him the nickname "Octopus", made him one of the top guitarists of the era. Tal Farlow (Talmage Holt Farlow) is one of the pioneers of bebop style of jazz guitar playing. He didn’t take up the guitar until he was 21, but was playing professionally a year later. Nicknamed the "Octopus", for his extremely large hands spread over the fretboard as if they were tentacles, he is considered one of the all-time great jazz guitarists. He died of esophageal cancer in 1998. From 1954 to 1958, Farlow was leader on a string of albums, including: The Artistry of Tal Farlow, Swing Guitars, The Swinging Guitar of Tal Farlow, A Recital by Tal Farlow and This is Tal Farlow. After six months with Artie Shaw's Gramercy Five in 1953, Farlow put together his own group, which for a time included pianist Eddie Costa. It is said that Farlow's career as a professional jazz musician was launched only a year after he picked up the guitar for the f irst time... and he was under 25 years old!

The Gibson Tal Farlow one of the many styles of archtop jazz boxes made and sold by Gibson over many years. In 1968 while living in Sea Bright, Tal Farlow visited Phil Petillo's Studio Workshop every Saturday up until the early 1980s. The cover art was beautifully illustrated by David Stone Martin. After a time with Artie Shaw’s Gramercy Five, he retired from full-time playing and became a sign painter. They had a good creative working relationship for many years.[2]. Only 215 of these original Gibson Tal Farlows were produced between 1962 and 1969, making them true collector’s items. Both guys used the … Whad’ya got for us Tal, 'Battle Hymn of the Republic'?”.
The arrangement is exceptional, with Galbraith comping under Farlow while occasionally harmonizing the melody.

That gig lasted from 1949 to 1953. His solos are fluent, melodic and articulate. Gibson later reissued the Tal Farlow in 1993. Shaw’s album I Can’t Get Started…, released in 1954, features Farlow on guitar as well as Hank Jones on piano and Tommy Potter on bass. An original cut on the album, entitled “Gibson Boy,” is a reference to another nickname Farlow picked up in the ‘50s, a Gibson ES-350 being his guitar of choice. The guitar seen in the picture at right is a prototype model. JazzSkool.org is a FANDOM Music Community.

He gained notoreity while playing with Red Norvo from 1949 to 1953. Visually, it possesses several unique characteristics, such as reversed J200 inlays on the rosewood fretboard, double-crown inlay on the headstock and scroll in the horn of the bout.

See: Take your favorite fandoms with you and never miss a beat. While with the Red Norvo Trio from 1949 to 1953, Farlow became famous in the jazz world. … Not to say music wasn’t still a part of his life; Farlow occasionally played locally and taught guitar privately at home. A stand out cut is “Isn’t it Romantic,” which features false harmonics played in the B section and first chorus of the solo giving a beautiful contrast to the song as a whole. He is considered one of the all-time great jazz guitarists. Tal Farlow was called “the Octopus” because of his huge hands and long fingers. Tal was adept both at comping and soloing, and our first video today shows it. The original Gibson Tal Farlow went into production in 1962 and was officially discontinued in 1971 after only 215 examples were produced.

“Tal’s gonna play one now. Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. The playing on “Gibson Boy” finds Farlow in top form. The production model has a mandolin-style scroll at the top of the body. Both guys had tremendously large hands. He gained notoreity while playing with Red Norvo from 1949 to 1953. Constantly searching, refining, experimenting, Tal Farlow was more than just a great musician. The album Tal was released in 1956 on Verve. Even though his father played mandolin, violin and guitar, and his mother played piano, Farlow’s parents viewed music as a hobby, not a profession, and for years he labored as a sign painter for a meager $2 a week. Farlow made only one record as a leader between 1960 and 1975, The Return of Tal Farlow in 1969. The scroll, which was designed by Farlow, appears on most models. Nearly as famous for his reluctance to perform publicly as for his outstanding abilities, he did not take up the instrument until he was 21, but within a year was playing professionally and in 1948 was with Marjorie Hyams' band. Farlow’s playing on Jimmy Van Heusen’s “Darn That Dream” puts to rest any rumours of faltering chops due to the lack of recorded output during this period. Farlow was joined on this album by guitarist Barry Galbraith, bassists Oscar Pettiford and Red Mitchell, and drummer Joe Morello, with pianist Claude Williamson making an appearance on four tracks. "Farlow with DeStefano, Sea Bright, New Jersey, 1980". Farlow was backed by pianist John Scully, bassist Jack Six and drummer Alan Dawson. His interest for guitar ignited when he heard the great Charlie Christian on the radio in the early 1940's. This was a cutting edge approach for its day. Gibson approached Farlow in 1960 to design a signature model and Farlow took an immediate hands-on approach, suggesting a pickup that could slide along a track for tonal variance. Byrd with his nylon string, classical approach and Ellis with his blues-based jazz are a complementary mix to Farlow’s one-of-a-kind style.

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