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risky business alternate ending

October 16, 2020 by · Leave a Comment 


But if you wait long enough, good things come: The 30th anniversary came up and the Academy had a screening last month as part of its Oscars Outdoors series, which was great because I had never been able to present the film with my original ending to an audience. 8. They shot the egg-catching shot multiple times, and it “knocked the wind out of” Cruise each time.

Cruise says if he did it wasn’t intentional. [Laughs] So we started doing word association to come up with a new title. The film covers themes including materialism, loss of innocence, coming of age, and capitalism. The working title was "White Boys Off the Lake." The iconic shot of an open-mouthed and smiling Cruise was born from him not understanding how to play the line “Looks like University of Illinois!” Cruise thought it was a dumb line so when he stood and said it he followed it with a big goofy look as if to say “How’s that? “I thank you for waiting,” says Cruise. Yeah. The "isn't life grand" line just adds a cherry to the bummer feeling. ‘Jump on the couch, go crazy go crazy!’” Clearly this is one lesson Cruise took to heart for future couch-related endeavors. She is more or less stuck in her awful life while he is destined for success and without her. It took eighteen hours to film Joel’s shower dream.

So with that in mind we gave a listen to Cruise’s commentary for his first real feature in a lead role. https://medium.com/media/348eaab0760e9a3c7927b2b5f23f85a5/href. They praise the choice of Tangerine Dream for the score as a bold one seeing as no one had previously dared to pair a comedy with such a dark and haunting score. There is no hope for them to continue. Woulda been a darker ending is all, 'the suburban kid with it all gets busted' kinda thing. One night we were filming the shots around Chicago’s Loop El tracks that were in the opening credit sequence of the city. The stall was unintentional, and Cruise blames Penn. Geffen Film Company, the studio backing the film, demanded you tack on a less cynical final scene. 16. I was thinking, I can't go through this again! Nope. If you’re wondering who was in the Porsche while it’s seen backing out of the garage the answer is ‐ wait for it ‐ Sean Penn. What sort of direction did you give the band? People can respond to that sense of freedom for a moment that's so exuberant and so much fun. Brickman points out an impressive move by Cruise when he drops his left ear at the 43:20 mark.

So I either had to take a swing from the batter's box or throw in the towel, because I wasn't getting my work realized in the way I thought it should have been. Megan Mullally is one of the nameless call girls first appearing at the 1:06:10 mark. (Well, I do… some of you might think of Kirstie Alley.) One of the few times studio interference was needed. The original title was apparently White Boys Off the Lake.

It added to the film’s dreamlike quality. The original ending doesn't feel that triumphant. That’s the journey Joel takes. Brickman jokingly credits his “infinite patience” with helping jump start Cruise’s career. Looking back, that's probably a component. Avnet showed them Risky Business footage, but they were still slow to be convinced. Joel looks both disgusted and saddened and he urges her over.

Where did the title "Risky Business" come from?

The club scene still happens but it doesn't end so happily. 5. Capitalism takes its toll on a lot of people. The success of "Risky Business" was strange because I had Hollywood coming at me full throttle.

So it was an exploration of things not only geographically, but an exploration of the darker side of himself. I’m glad there’s not a cheesy titular line in the film. The track is one of those video commentaries meaning the three of them are in a small window in the corner of the screen. It's funny because it deals with subjects that are so touchy, so fraught with emotional pain, that unless we laugh there's hardly any way we can deal with them -- especially if we are now, or ever were, a teenage boy. When you were an adolescent, did the city’s darker elements ever pull you in? With Tom Cruise, Rebecca De Mornay, Joe Pantoliano, Richard Masur. Joel looks both disgusted and saddened and he urges her over.

22. I don't. We would bring our guitars down there and play on the sidewalk. And people threw material at me right and left, and lined up to meet me.

The club scene still happens but it doesn't end so happily.

But really to be honest I prefer the theatrical cut version more. teen movies coming out at the time — "Porky's" and the like?

What can I say?

Part of the car chase sequence with Guido, the killer pimp, goes by the Highland Park Movie Theater where I saw movies as a kid. It’s a distracting way to offer a commentary, but it’s fun watching their faces during the sex scenes. Tone is what I wanted to play with.

Brickman only directed one other film, 1990’s Men Don’t Leave, and that’s a shame.

3. Now he explains why. Brickman points out the opening credit scene ‐ a late-night/early morning shot from a moving Chicago train ‐ and says he recalls riding the train to get this footage and freezing while Cruise and Avnet slept warmly in their respective hotel rooms. Did that compromise underscore your feeling that you'd never get to make something in Hollywood that was your own vision? I was fairly confident. 6. If those themes were really thin, this film would've disappeared into the ether long ago. They had strange working hours. Brickman recalls the film was tough for the marketing department. https://medium.com/media/696cdeb23e7172301147db40a617ce78/href, “For me at that age it was ‘what the fuck?’”, “Boy they don’t make ’em like this anymore.”, “It’s not about prostitution, it’s about capitalism.”. This memory triggers Avnet to recall his surprise at how difficult it was for that film’s producers to finally sign Cruise as their lead. Tom, Rebecca De Mornay and I went out to dinner one night right before the film came out, and I told them, "Your lives are going to change radically now. We were there for about three and a half hours. Copyright © 2019 Salon.com, LLC.

I always wanted the film to end with him getting arrested. We hung out in Tangerine Dream’s studio for ten days and knocked out the score with them.

And "Ferris Bueller's Day Off" seemed to have a lot of references to "Risky Business," too: the North Shore kid exploring the city, the trashed father's car. 20. You didn't direct another feature until 1990 with "Men Don’t Leave," which was your last. 7. I tended to avoid the dangerous aspects of the city. “You told me to jump on the couch. Initially we sent some film to Tangerine Dream in Germany and they came back with their first pass, and it was clear they were trying to write music to a typical teen movie. Do we start looking for new composers or do we stick with these guys?" They agree it gives the actors and characters time to breathe while also creating a more natural suspense between scenes.

Been quite a while since I saw the ending. "Risky Business" is a movie about male adolescent guilt. Brickman decided to use it for the film though.

Associated Press articles: Copyright © 2016 The Associated Press. Just 34 when "Risky Business" was released, Brickman directed just one other feature, the 1990 bomb "Men Don't Leave." [Laughs] We shot it, but failed to execute it. I stayed close to him for a while and as he got more successful, he became harder to reach. She is more or less stuck in her awful life while he is destined for success and without her. “I remember the first poster was a cartoon Joel with all these buxom bikini girls in bed with him and money raining down.” They went to an outside company and created the poster of Cruise looking over the sunglasses.

New comments cannot be posted and votes cannot be cast, News & Discussion about Major Motion Pictures, Press J to jump to the feed. Obviously. Man! 9. What was it like once "Risky" came out and it was a critical and box-office success? It was a cold night and I was on a camera platform on a train all night long shooting with a second unit. 2. Some people like the visibility. Yeah, we had a lot of night shoots. This material may not be published, broadcast, rewritten or redistributed.
But my point is that it’s easy to forget how darkly satirical the film is. Brickman asks Cruise if he channeled Joel into Jerry Maguire saying that could have been Joel all grown up. I wanted to do a film for young people that was very stylized in a way that I hadn't seen before.

I'm more from the J.D. In the original, they go walking instead of her saying "why does it have to be so tough?" I remember for the “love on a real train” scene, I was stuck on how to make that work. “This poor girl looked like a raisin by the time this scene was over.”, https://medium.com/media/02c5358aec25daf0cf330c1d0cf68126/href.

What was on your mind as your were writing the screenplay for "Risky Business"? I was concerned for his overall welfare because there’s a certain Faustian arrangement with that kind of success. 4. SALON ® is registered in the U.S. Patent and Trademark Office as a trademark of Salon.com, LLC. ------------------------------------------.
I don't know if "Risky Business" was a reaction to "Porky's."

I have to ask in response: What was the end of John Hughes's story? I've played piano my whole life, so I have some musical background. I gave them a series of shots to get and went up to a blues club in Rogers Park, got a drink and listened to this great harmonica player. Well, I headed out to a rented cabin in the West to write it. And wait before the actor eventually exited the building well past the pre-arranged time.

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