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October 16, 2020 by · Leave a Comment 


Despite our differences, I was proud to have known and worked with Gordon and I felt privileged for Bea and Charles to ask me to give the opening address at the RMAF event. Located outside Nordost's Humboldt Peak room on the Denver Marriott Tech Center's mezzanine, the tribute drew a huge crowd of industry icons.

Forty-seven years after Gordon published the first issue of Stereophile, his son, Charles Holt (above), joined John Atkinson, Gordon's long-time friend Bob O'Neill, veteran tube-amp designer Roger Modjeski, and fellow publishing icon Harry Pearson of The Absolute Sound in raising a glass to the irascible pioneer. English engineer Ben Duncan, whose writings have occasionally appeared in Stereophile, sent me an article he had written for the pro-audio magazine Studio Sound. "One does not have to agree 100% with an individual to honour their service to great hi-fi."

The other was brand new, right off the shelf. Krell Power: A Visit to the Laboratory of Doctor Morbius, Hegeman Model 1 omnidirectional loudspeaker, Weathers PS-11 Professional Stereo Pickup System. Their speed is determined by the frequency of the AC supply, so there is no speed adjustment. We were saddened to learn of the death of inventor and audio engineer David Blackmer. On Saturday evening, at show's close, Bea and Luke Manley of VTL, with the support of Nordost, hosted a Martini tribute to the recently departed founder of.

We were referring then to a manufacturer's announcement of the imminent availability of a speaker system weighing over 1000 lb per channel, but we could just as well have been speaking of this behemoth from Audio Research.

Features include their annual "Records to Die For" section, where each editor and writer reviews two outstanding albums of their choice, and the bi-annual "Recommended Components" issue in which audio equipment which has been reviewed in the recent past are classified as "A, B, C or D" level components, with "A" being the most highly recommended. Then serendipity struck.
The Revox A-77 has extremely good speed regulation, vanishingly low wow and flutter, very low noise, superb tape handling, and the smoothest, widest-range frequency response of any recorder we have ever tested. You are DOOMED to die being known as the idiot that ruined Stereophile. Back in the days of pre-stereo high fidelity, when a 6-gram phono pickup was considered to be "featherweight," the best universal-type tonearm we knew of was a bulky, very professional-looking device made by Gray Labs and designated the Model 108. To "By His Ghost": and you think that your opinion matters more than JGH's very own son (in the photo above) because why exactly? Two of the followup reviews that were published in the November 2020 issue of Stereophile have been posted to the magazine's website: Herb Reichert on the Yamaha A-S3200 integrated amplifier and the measurements of the Denafrips Ares II and Terminator D/A processors. At the end of April, Adrian Low, the proprietor of Toronto retailer Audio Excellence, asked if he could interview me. Setiptiline (brand name Tecipul), also known as teciptiline, is a tetracyclic antidepressant (TeCA) which acts as a noradrenergic and specific serotonergic antidepressant (NaSSA). Exactly the point. Editor's Preface: In an article in the October 1995 issue of Stereophile, Professor Malcolm Omar Hawksford used Maxwell's Equations to develop a mathematical model describing the behavior of cables at audio frequencies. [2] In March 2018, Stereophile was purchased, along with related magazines and websites, by AVTech Media Ltd.[4], In 1998, Stereophile was acquired by Petersen Publishing.[5]. He was 75. Among the predictions of this model were that for good conductors there exists an optimum size of wire for audio signal transmission, and that for a wire larger than this size an energy storage mechanism would exist. As our reviews of these products were published before Paul Miller's and the late Julian Dunn's development of the "J-Test" diagnostic signal, I performed J-Test jitter measurements to bring that 1994 review into the 21st Century. The speaker is shaped somewhat like a home electric radiator curved slightly on the vertical axis. It continues to be published.

An editorial note: We recently republished Stereophile founder J. Gordon Holt's 1966 review of the Swiss Thorens TD-150AB turntable. Founded in 1962 by J. Gordon Holt. Regardless of whether or not your comments bear any relationship with reality, you are behaving in a boorish manner that is disrespectful to the memory of the man you claim to honor. Founded in 1962[2] by J. Gordon Holt. Gordon's cutting-edge analysis of the best and worst that the high-end has to offer was founded on the premise that the best way to review audio components is to listen to them. Way to go posting bull shit Atkinson. One of the most firmly-established audio platitudes is the one which says "The specs don't tell the whole story." We connected with Skype and, in the two videos embedded below, Adrian and I, along with Jan and Vilip from Audio Excellence, talk about many things connected with my 52 years as an audiophile, my 43 years in audio magazine publishing, and my 33 years at the editorial helm of Stereophile. One was a demonstrator that had been in use for some months. (Photo: Naomi Swain). Atkinson had edited the magazine since 1986[3]. On Saturday evening, at show's close, Bea and Luke Manley of VTL, with the support of Nordost, hosted a Martini tribute to the recently departed founder of Stereophile, the inimitable J. Gordon Holt. Thanks, Gordon, for constantly reminding us that our passion is rooted in the love of music. It was launched in 1989 for the treatment of depression in Japan by Mochida.

Stereophile is a monthly magazine that focuses on high-end home audio equipment, such as loudspeakers and amplifiers, and audio-related news, such as online audio streaming. We mentioned in the last issue that we were becoming increasingly disturbed by "a certain manic quality that is creeping into this pursuit of sonic perfection." Now that the later version is equipped with a flutter-filtering tension arm, our only criticism of the A-77 is its use of three-circuit jacks for the micro phone inputs instead of the XLR-type receptacles that are considered to be "standard" in the US for on-location audio recording. The Lockheed 1011 sits dormant on the ground at Chicago's O'Hare airport. A potentially awkward situation that we both managed to manage fo 13 years. The other unusual thing about it was that the pivot system was viscous-damped, and it was this, we suspect, that was largely responsible for the arm's ability to make any pickup sound somehow sweeter and cleaner than it did in any other arm.
Holt hated your way of turning his creation into yet another ass kissing rag that only cares about money. The motor is a special synchronous type that is actually two motors in a single case. We tested two samples of the ADC-1 phono cartridge, both of which were taken from a dealer's stock. Stereophile is the highest-circulation hi-fi magazine in the Americas and possibly the world. Compounding our relationship was the fact that while he was Stereophile's founder, he had sold his equity in 1982, whereas, as a partner in the company that owned Stereophile, I was Gordon's boss. He hated such nonsense and said so in this linkhttp://stereophile.com/asweseeit/1107awsi/Please don't try putting words into his mouth after he has gone by "honoring" him at that festering sore of a trade show.

I love how JA keeps removing my comments so he has the LAST word hahahah loser boy. I am saddened, "Frankly Amused," that you take advantage of the anonymity offered by our blog engine to use the passing of J. Gordon Holt to promote your own agenda. One reason for this, of course, is the fact that most manufacturers, preferring to sell their products on the basis of emotional appeals in ads rather than on hard, cold performance claims, do not attempt to make their specs tell the whole story. Blackmer's development of dbx expansion-compression technology in the early 1970s pushed the performance level of recording and playback systems beyond their previously accepted limits. Testing the RF transmission of Kimber Kable, up to 3GHz, at Ben Duncan Research Labs, in 2008. The magazine was formerly based in Santa Fe, New Mexico. You can see what I found here.

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