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the grudge series

We are introduced to a house in Tokyo and the horrible event that kicks the story off, as artist Takeo Saeki murders his wife Kayako, son Toshio and cat Mar in a jealous rage.

The film starts with Karen (Sarah Michelle-Gellar making a slight return) recovering in hospital from the events of The Grudge, when her sister Aubrey (Amber Tamblyn) comes to visit. Initially suggested as a joke, this clash of the titans between Ring’s Sadako and Ju-On’s Kayako has no right to be as good as it is. Creepy, subtle ghost stories are back in fashion. The Grudge has the indefinable cinematic alchemy of a classic. On one hand, the idea of there being a Ju-On Expanded Universe is a nice one – a whole world of Butoh-inspired ghosts and their endless curses – but in reality, it’s a tough brief to stretch out such a vague concept any further than it’s already gone. Hot on The Grudge’s heels was this bizarre sequel that, although keeping with the six-act structure of the series, feels curiously out of place. This initially mirrors the Rika storyline from the original Ju-On film but is soon wrestled into a more conventional storyline, sacrificing the pervading surrealism of the originals for a straight-ahead ghost story. The streaming platform is fully leaning into the love from genre fans and continues to expand its horror programming. A legitimately good original horror series didn’t arrive on the platform until 2018 with The Haunting of Hill House, the loose, 10-part adaptation of Shirley Jackson’s novel from emerging auteur Mike Flanagan. Pesce's take might be different than what we've seen before, but the filmmaker assures that it won't damage the franchise's legacy, as fans are still welcome to enjoy all previous installments. About the nicest thing that can be said about this film is that Nozomi Sasaki sports an array of truly delightful cardigans. One involves a family moving into an apartment right by the Saeki house.

Returning to the Saeki curse, The Beginning Of The End gives us the familiar six-act structure but goes all the way back in time to when Sayoko was still alive, then flashes forward and unleashes the curse on a good-natured schoolteacher (Nozomi Sasaki). There are so many iconic moments and you can feel his glee at scaring the audience. This is a very silly thing for them to do in such an obviously, massively haunted house, so it’s maybe the first time you think “Well, they kinda had it coming”, which does lessen the impact when they all start dying. There’s a thousand Grudge movies out there, and we wanted to figure out a way to kind of put a new, fresh spin on it, and it’s going to be exciting.”. Now, anyone who enters the house becomes cursed and dies at the hands of their vengeful spirits. This may be hard to believe, but it’s been nearly 20 years since the international J-Horror boom. Nope. Kiyoshi Kurosawa – Shimizu’s mentor at film school and already a notable genre voice due to films like Sweet Home, Cure and Séance – loved the two shorts and helped to secure the budget for their expansion into a straight-to-video feature. To learn more or opt-out, read our Cookie Policy. To their credit, they brought in Takashi Shimizu to direct and this helped preserve the purity of his vision, making it one of the less blasphemous remakes. Rodgers and Brady have squared off just twice in their careers, and each has won a game. In some ways, the effects of the curse are viral; it affects everyone who comes in contact with it. Sadly, 10 years on from the original shorts, Takashi Shimizu drew a line under things and decided not to return to the franchise for a third American Grudge. The bar might’ve been low, as a Netflix original horror series and an extension of The Grudge franchise, but Ju-On: Origins cleared it nonetheless. In the American adaptation, the series went on to get four films and a Netflix spinoff. The cast is enjoyable, the movie looks super-stylish and, best of all, Sadako and Kayako – even in amongst all this comic-book chaos – have their creepiness back. One does not simply walk into Shimizu’s sprawling world. 29 minutes out of 76 (nearly half the run time) are taken entirely from The Curse, which certainly makes you question the point of making two films. Instead, the reins were passed to Toby Wilkins, no stranger to Kayako himself, having directed a series of short mobile films called Tales From The Grudge as promotional material for The Grudge 2. However, much like its own eternal death curse, the Ju-On franchise is showing no sign of stopping any time soon. Admittedly, the origin stories are different (Black Ghost is a grisly dead-twin story and White Ghost involves a cursed cassette tape) but Ju-On has always felt like it had more emphasis on the “how” than the “why”. However, as many problems as this raises, its more measured approach to storytelling pays off with an excellent twist that opens up interesting new possibilities for the franchise and proves Shimizu isn’t the one-trick pony he may have seemed to be. The skin-crawling sound design – Kayako’s lingering death rattle – ramps the terror up to unbearable levels. This turns the entire story inside out and makes very little sense, so the death curse now just kills everyone who even so much as looks at anyone else in a series of loosely connected scenes. (If you know your Grudge history, you won’t be shocked to learn that the incident involves a husband killing his wife because of an affair; I won’t spoil any more details.). Ju-On: The Grudge. (It is also the first horror series from Netflix’s Japanese production wing.) All rights reserved. From ‘A Few Good Men’ to ‘The West Wing’ to ‘The Trial of the Chicago 7,’ let’s see how all of the renowned screenwriter’s work stacks up against itself, The actor chats about his days as a teen heartthrob and about the release of the movie he’s been making since 2012, The Hulu series, a product of an abandoned cinematic universe project, is a tonal departure for Marvel, but that’s all it has going for it, The Seahawks QB covers a range of topics, including his new podcast. As proven with series like Stranger Things and The Haunting of Hill House, Netflix has established itself as one of the best destinations for horror fans who are looking to sink their teeth into creepy series. Even Haunting of Hill House ultimately landed on a wistful note by the end of the series, but Ju-On: Origins is uncompromisingly bleak over its six brisk, 30-odd minute episodes. The deaths here are more imaginative as Shimizu gives Kayako and Toshio almost infinite power to make themselves giant, melt into ceilings, turn themselves into household objects and warp people’s minds and bodies in whatever way they see fit. Both Curse films were very successful in Japan, so Shimizu was asked to bring Kayako and Toshio out of the video world and onto the big screen, which he did with style. It doesn’t even have the conviction its title suggests, as the non-ending reveals the Final Curse is not actually the Final Curse and leaves things open for a further Ochiai/Ichise Ju-On film to be made (thankfully, to date, this hasn’t happened). Masayuki Ochiai and Takashige Ichise brought their retconned mythos back for a second outing that goes further down the rabbit hole, recasting Toshio as an actual devil child who is the centre of the curse, with Kayako his enabler and Takeo somehow now a victim. Toshio’s ghost appears briefly in both films, just to try and create a more explicit tie-in with the others but, honestly, you could skip these without missing a thing about the story. Copyright 2018 ComicBook.com. Arguably, most horror icons have the fright taken out of them eventually, from Freddy Krueger’s reinvention as a wisecracking comedian to the Kawaii-Kayako, so it’s probably quite a challenge now to scare audiences with a ghoul after some 20 years of familiarity. The entire Ju-On series focuses around a curse that has become attached to a house after being created by a deceased family's rage. The house in this particular film from 2002 is haunted due …

If you’re looking to bone up on the mythos before diving in, you may think it’s a pretty easy task.

The Trial of the Chicago 7 Review: The World is Still Watching 50 Years On, Over the Moon Review: Lunar Lessons in Grief, How Saw changed the Halloween release schedule, How Hunt A Killer Expands the Blair Witch Universe with New Horror Game, Sci-Fi Explosion: A Spooky Night of Horror Hilarity, Trivia, and Prizes with Warner Archive, Best Horror Movies on Netflix: Scariest Films to Stream, Razer Blade 15 Is a Dream Gaming Laptop for PC Gamers, A beginner’s guide to Ju-On and the Grudge franchise. Then Everything Changed. Films like Ring, Spiral, Pulse and Dark Water were an icy cold breath of fresh air for genre fans and it wasn’t long before a slew of American remakes started appearing, studios racing to snap up the rights to pretty much anything Japanese and spooky. Ju-On: The Curse is by no means a perfect film. There are 12 full-length feature films to get through (and that’s not even taking into account the short films, the mobile content, the novelisations, the manga and the Wii game)… But is it all essential scare fare? I am really not kidding: There is a movie in which the evil entities of The Grudge and The Ring franchises fight each other.

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