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rebel without a cause analysis

the Mansion Sequence Summary and Analysis, Jim's First Day and the Planetarum Sequence Summary and Analysis. Judy falls in love with Jim and is happy, something she never thought she could be; the Stark family is united with the indication that they will be a happy family: Father:  This is news to me! Dean, however, was not the only actor with whom Ray purportedly had an illicit affair.

The father comes and pushes them aside. I can’t talk to you if I can’t see you.” While these lines prove to be portentous of Plato’s fate, which comes in the darkness of early dawn, they also conjure up the nightmarish imagery of Plato’s parents fighting at night and of Plato’s father’s abandoning him. Rebel without a Cause has as much to say today as it did in the 1950s. He has no time for reminiscences; he needs immediate responses to his difficult questions, however, Frank is not able to give him that.

Jim: Let her see. The ritualistic structure of the event makes it difficult for the men implicated within it to exercise any kind of agency, which Buzz admits when he confesses to Jim, "I like you. The more Frank taps into his basic desire to protect his son, the faster he is able to respond to Jim’s problems. Just like my dad.

As a case study, Plato fits the mold of an antisocial personality. By contrast, Judy's father lavishes physical affection on her little brother, who fires a toy machine gun at the dinner table, offering up another significant symbol of phallic violence in a film rife with them.

When Plato senses his own powerlessness, he returns to the observatory, where he was first reminded of the inconsequential role of humanity, both in society as well as in the universe. Jim gives Plato his opinion on when the world will end, just moments before Plato’s life ends. During the filming of Rebel, sexual tensions among Nicholas Ray, Natalie Wood, James Dean and Sal Mineo eerily reflected the repressed sexual desires inherent among the film’s characters. Father:  Listen—nobody should make a snap decision . When he is reprimanded by a police officer he asks: “Want me to imitate a stupid cop?” (Stern 7); Buzz and Judy act like they are in love, when there is no real affection between the popular couple; and so forth. Frank fails to set meaningful boundaries for Jim every time his son tests him. Social Issues in Rebel Without A Cause This is a film about juvenile delinquency, but from this poster we see immediately that director Ray is on the side of all kids—who have all sorts of problems to contend with (including diseases that usually strike the young). Judy appears as “a dirty tramp” (Stern 5) to her father because of her red lipstick, when she is just trying to act like a grown woman, using a woman’s props; Jim imitates a siren. A French analytic term, jouissance refers to an “excitation due to sex, seeing, and/or violence, whether positively or negatively viewed by conscience, whether considered innocently pleasurable or disgustingly repulsive” (Fink 60). As an example of the “future” as the forewarning for the consequence of “doing,” the chances Buzz takes and his disregard for authority forewarn the likelihood that he will always engage in actions that garner negative attention. The two cars rush forth on either side of her toward the precipice. . When that leads to an accident and a death, Jim wants to go to the police but his parents refuse to let him do so. An endpoint for men, [‘No!’] serves as an open door for women” (107). According to Lawrence Josephs, author ofCharacter and Self-Experience, an antisocial person experiences a sense of impotence, helplessness and powerlessness.

You must have had a reason. Jim and Judy become a mock couple, and Plato their mock child, with the abandoned mansion becoming their mock house. .

Jim’s covering Plato’s corpse with his jacket is a last display of paternal love for his fallen friend, and in a symbolic display of adult initiation, Jim’s father wraps his own jacket around his son’s shoulders.

When Jim's father emphasizes that Jim's problems will seem silly to him 10 years down the line, Jim once again pleads for a direct answer as he dresses himself in a white t-shirt.

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